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We worked these projects in studio back to back. The production team was gathered from a variety of points around the globe so getting a few projects in during this session was critical. The red helmet project needed to inspire an engineering vibe – professional and technical. We shot the product wide enough to include our working set as a part of the finished form. We included the fluorescent tubes to further amp the technical design ( I wanted to build some Kubrick inspired sets –but had to make due).
The first round of the Anon goggle project was started with our friend and photographer Vincent Skoglund. We jumped into this colorful paint pour for round 2. Most of our time went into preproduction but a lot of the energy of this shoot was durning the fast paced paint pours. Each subject took only 10min to shoot and about as long to wash up. We worked out the rest in post.